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It's Hard To Say Goodbye - Frank Gardner's Workshop Comes To An End

"The View From Casa Del Sol"
11"x14" Oil on Raymar linen panel

If you are interested in either of these paintings, please contact me by clicking HERE.

Today, our last day in Frank Gardner's workshop was the best yet.  Not only did the weather cooperate -- beautiful sunny skies and almost NO WIND, but the painting gods must have been smiling.


Frank started out the day by bringing in three paintings he had previously started en plein air.  He discussed how he would adjust them in the studio using photographs and demonstrated as we watched.  Although sometimes he will return to the same spot several times to paint a painting that isn't finished the first time, on other times he will make adjustments which would improve a painting back in the studio using photographic references to help him remember a scene.  He reminded us to be careful with photographs.  Never try to rework the entire painting... We risk losing the spontaneity.  When painting en plein air we make lots of decision about color and what to leave out or move that normally should NOT be adjusted.  He prefers to suggest a scene rather than make a detailed reproduction.

"Nopales"
10"x8" Oil on Raymar linen panel (SOLD)


A tell-tale sign of a painting that is done using only a photograph is putting in too much detail and having darks without any information.  Don't go too dark in the shadows.  As long as the relationships between values are accurate you are going to do well.  The benefit of painting from life is that you have more of an idea of the true value range than you can get from a photo which is generally too dark in the darks and too light in the lights.   

We should always "raise the bar" on our work. 

After Frank discussed the changes he would make on his first painting (note that he made the changes with the photograph and the painting upside down.), I thought he was finished and headed off to paint for an hour or so before lunch.  (As it was he discussed a second painting and I missed that demo.)   

I went off to paint cactus (nopales)... I had felt good about trying to capture what Frank had done the day before, so I thought I'd try it again by painting my own cactus painting.  I tried to remember what Frank had discussed as I painted my cactus, but in the end, having only an hour, I simply placed color on it to cover the canvas.   Surprisingly it turned out rather well, I think.

In the afternoon we all stayed relatively close although we all faced different directions and we painted alongside one another.   The painting on top was my final painting and I was rather happy with it.  I felt I had tried my best to apply the ideas and suggestions that Frank had been making during the week-long workshop.

I'm sad to say the class over.   Suzanne and I went out to celebrate a FANTASTIC WEEK...  I had some GREAT margaritas.... and yes, I tossed one back for my friends from previous painting adventures.  

Happy painting to all of you.

9 Responses to It's Hard To Say Goodbye - Frank Gardner's Workshop Comes To An End

johanna Spinks
via marianfortunati.com
sounds fantastic...I would love to do that workshop one day
Marian Fortunati
via marianfortunati.com
It was fantastic, Johanna....

Did you see all of the photos of the area down there on FB when "da boyz" all went down to paint (and horse around and ride and bond) together with Frank?
Dad
via marianfortunati.com
I rather like them both, as viewed in your blog, but when I click and enlarge them I don't. Why is that? Anyway I'm glad you had a good trip and glad you are home. Love, Dad
Marian Fortunati
via marianfortunati.com
Thanks, Dad
I love you. I'll call later today.
B Brown
via marianfortunati.com
I've enjoyed reading about this workshop and seeing your paintings. So many different greens to mix! I like the cactus and landscapes. I was wondering what sort of an easel setup Frank used - I've not seen anything like it - and what sort of a setup works for you?
Cheers,
Beverly
Frank Gardner
via marianfortunati.com
Hi Beverly, sorry it took me a while to catch up with your comment on my easel. That one in the picture is a Beauport Easel sold by Art Supply Warehouse. It is very similar to one that was made by Take It Easel. It's a cheaper knockoff from China and there are a few slight adjustments needed to make it work smoothly. I also bought one a few years back from Take It Easel and all they did was buy this one and retro fit it so it functioned easier. I'm not sure they make theirs any more. It's based on the Gloucester or Anderson easel from years ago.
It's great for windy or uneven conditions and for larger canvases especially. I made the palette box myself, it does not come with that.
Marian Fortunati
via marianfortunati.com
Thanks, Frank...
I'm not sure if B Brown checked the box to get an update on this or not. I hope so. (Perhaps if she did, she'll let us know... ;O) )

On another note... good news for me... Today I sold NOPALES... the little painting I painted that day after you had done the demo the day before. (I was trying to channel you... maybe it worked!)

At any rate, I learned so much, Frank, and had such a great time... so glad I came down again.

Did I tell you that Joy wrote and said she wants to go down next year???

Ron Guthrie
via marianfortunati.com
Hi Marian,
Great pics of the time spent with Frank. You've got to quit teasing me with the food photos! hahaha. "Nopales" (which are delicious!) is a super piece of work...congrats on the sale too! "The View from CDS" is another good looking painting. I love those tall trees on the left...majestic!
A good read and excellent pics of the adventure Marian.








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